Sunday, 5 April 2020

EXP 2: The Chosen Architectural Theory

Chosen Words:

  • Ventilation 
  • Finiteness 
  • Equilibrium 
  • Indispensable 
  • Passive 

Theory Sentence:


A state of passive equilibrium between architecture and its environment can be created through assimilating open space forms with modern structures, challenging pre-ordained concepts of modernism.   

Article Reference (Chicago Manual Style): 


Pereira, Matheus. "Cross Ventilation, the Chimney Effect and Other Concepts of Natural Ventilation"ArchDaily. (Trans. Carvalho, Guilherme) Accessed 6 Apr 2020. <https://www.archdaily.com/887460/cross-ventilation-the-chimney-effect-and-other-concepts-of-natural-ventilation/> ISSN 0719-8884

Open space inspiration: 


Wednesday, 18 March 2020

EXP1: Perspective Images


With an open middle floor, the design purposely juxtaposes the structural nature of the third floor with the organic form of the bottom to create a building that is visually striking. The top floor takes aspects from Trent Jansen Studio's stool, specifically its layered elements and ambiguous, overlapping form in its exterior appearance. It's manipulation of horizontal, vertical and diagonal line emphasises its entwined structure that unveils a new perspective from every angle, similar to his stool. The underground floor however, takes the delicate and natural form of Mountain and Moon's jewellery, combining it with my intricate pattern to develop an abstract exterior. The interior of the bottom floor is a floating, glass encased rectangular room that allows the organic walls of the floor to be seen from any position, inspired by the hidden complexity of M&M's pieces.


The stairs that connect the middle ground to the upper floor are complex in its exterior and simplistic in its interior to communicate the visual complexity yet simplistic nature behind Trent Jansen's designs. The exterior plays with texture, colour and line to add dimension to the design, glass walls allowing the public to view the architecture outside and the stairs encapsulated inside, making the space seem open. The monochromatic colour scheme flatters the overall aesthetic of the upper floor. The interior treads are simplistic to compliment the minimalistic third floor and direct audience attention to its exterior casing that moulds in with the building wall. Attached to the wall, the stairs are strong in its structure and are thus able to support decent weight in transporting materials or finalised art. 

The third floor consists of two spaces, an open space where art pieces are displayed, and an encased open studio space visible to the public. This enclosed space allows privacy yet intimacy in its form, whereas the open gallery space juxtaposes this closure to break down the barriers between the art and artist. Overarching triangular structures provide support to the mainframe whilst complementing the geometric art displayed. The use of glass allows natural lighting, which proves beneficial to the artists during their construction of works. 

The stairs connecting the underground floor to the middle floor follow the natural topography of the site to emphasise its organic structure. By doing so, the stairs compliment the unconventional design of the floor and add visual texture to the room. It's uneven form is characteristic of Mountain and Moon's designs and ensures a seamless integration into the design. By constructing the hovering room from glass, the open back increases natural lighting to the room and makes evident the textural difference between the flat ground floor and rugged terrain underground. 

Natural lighting complements the delicate jewellery pieces through highlighting its abstract form and curvatures. Therefore this allows the crafters an ideal lighting setup and intimate space for designing. The simplistic room design allows the designers to focus heavily on their craft, decreasing the possibility of distraction.  



EXP 1: Section Cuts


 VERTICAL FRONT SECTIONS 




VERTICAL DIAGONAL SECTIONS 



 HORIZONTAL TOP SECTION 







Final 3 Materials


PATTERN 1: This pattern was selected due to its simplicity yet intricacy in its lines, matching the monochromatic aesthetic of the building. 


PATTERN 2: In juxtaposition to the geometric structure of the upper floors, this organic pattern adds dimension to the final design. 



PATTERN 3: Located on the supporting pillars of the top floor, this pattern similarly uses vertical and horizontal line to manipulate perspective and complement the structural architecture of the building. 

WEEK 3: 36 material sketches


Sunday, 8 March 2020

Week 3: Independent Study video

This video explores the materiality and encapsulated glass-nature of my EXP1 design, specifically its open form and structure. The rectangular structure and its elongated glass panels mimic the design of the third floor of my building, surrounding all walls with glass to promote visibility.

https://youtu.be/hVwYe6j5LZI

Sunday, 1 March 2020

SKETCHUP: Stair concept 1











Stair Concept 1

 INSPIRATION

Inspired by the delicate yet abstruse form of Mountain and Moon’s pieces, this contemporary staircase develops upon the abstract theme of the brand, manipulating audience perspective to challenge the context of conventional stair designs. Natural geometric textures encapsulated within glass panels add contrast the delicate stairs, while it’s “floating” structure compliments the use of open space commonly seen in Mountain and Moon’s jewellery. The acrylic support that gives the stair its organic spiral form reinforces its structure to ensure an aesthetic yet strong staircase. 

Stair Concept 2

INSPIRATION

With a form that adapts to the framework of the building, this design manipulates line, its direction and its structure to create an asymmetrical yet visually intriguing staircase. Following a monochromatic colour scheme, black and white marble border the interior to emphasise the staircase frame, whilst glass panels allow an exterior glimpse from multiple heights. Evenly spaced marble stairs compliment the bold theme of the design, accomodating for heavy usage through its dimensional stability and strength. 

Stair Concept 3

INSPIRATION

Suspended by hanging steel rods, this staircase juxtaposes vertical line with horizontal geometric embellishment to create a minimal yet spatially conscious design. Constructed by soldering varying thicknesses of black steel, the materiality of the design accentuates its exclusivity, contrasting the surrounding architecture to become the centrepiece of the building. By suspending the stairs, the design minimises its use of space and increases its practicality, steel rods acting as a balustrade to reduce the risk of falling. 

EXP 2: The Final Architecture

The issue of excess fossil fuel consumption and use of unsustainable energy sources has grown in significance in the past decades, rai...